Writers Blog: Online Writer’s Circle – October 08
Many of you will know about the poetry challenges each month. But in addition to that I’m going to start a monthly online writer’s circle. So what I want to explore is what I’d write as PROSE to any given title sent to me in the next 48 hrs.
The title can be anywhere from one word up to a sentence long.
It can be a wild name of a character
it can be a saying
it can be anything.
Let’s let the surrealism fly.
And if any of you want to be challenged back with a title, let me know and I’ll throw a title back at you and then come back and post your own ARTism in the comments section.
lets play ARTism.
Ready, set, go.
Send me a title.
Warmly,
Donna Williams *)
author, artist, screenwriter, composer.
Ever the arty Autie.
http://www.donnawilliams.net
http://www.auties.org
OK and the nominees are….
From Kay, I have the title, GALAXY OF SOLACE to which I’ve done a one act play.
GALAXY OF SOLACE BY Donna Williams
Copyright Oct 2008
It’s 2058. Amidst sun-scorched savannah, the toxic orange dawn sky hangs over ZEBEDEE, a ragged man of 25. He awakens from a pile of straw, gets up, steps a few paces from his bedding and sleepily takes a morning pee. The harsh voice of his brother, ARK, shouts as if from nowhere.
ARK
Shut it up!Grasses rustle, and another bedraggled figure, ARK, 23, rises from another pile of straw, ranting loudly.
ARK
You KNOW I have sensitive hearing!
ZEBEDEE
Come on, Ark, I was just–Ark puts his hands over his ears and SQUEALS shrill and loud with frustration. Zebedee snatches a long blade of grass and begins to twist it nervously around his finger.
ARK
That’s the problem with you mundanes. Do you lot never learn? Do you, Zebedee?
ZEBEDEE
I try to remember.Ark steps toward Zebedee with a piercing glare and launches into a rant.
ARK
Try? You’re still think you’re ‘normal’, don’t you? Just because your lot were breeders. Just because–
ZEBEDEE
I try real hard, really, I do. It’s just that–
ARK
It’s just and it’s just and it’s just. Well your lot stuffed up an ENTIRE planet. An ENTIRE planet. How’s that for being a bunch of morons?Ark begins to punctuate his rising rage with prods to Zebedee’s chest. Zebedee takes each prod with grace and humility.
ARK
The neuro-diverse didn’t populate the hell out of earth until we were eating our own shit. Who did?
ZEBEDEE
(quietly placating him)
We did.ARK
WE were the HIGHER evolution, the NEXT step. And YOU neuro-typicals can’t even learn to walk a mile out of camp before taking a piss.Zebedee begins to block Ark’s prods.
ZEBEDEE
Sorry.Ark thrives on the power.
ARK
Sorry! Sorry? You lot would have stayed living in caves if not for us…you’d have been too busy socialising and impressing each other. You’d never have invented the wheel, made fire.
ZEBEDEE
Had vehicles.
ARK
Right.
ZEBEDEE
Computers.
ARK
Well, we were the original geeks, the inventors.
ZEBEDEE
Had high technology.
ARK
Totally.
ZEBEDEE
With which we polluted the world and stripped it’s finite resources to near extinction.
ARK
Yes…I mean…no… That wasn’t–There’s a CRUNCH as Zebedee’s foot steps back. Zebedee freezes.
ARK
What?
ZEBEDEE
The crunch. Did you hear it?Zebedee desperately explores the ground by his feet.
ARK
What crunch?Zebedee picks up a crushed garden snail.
ZEBEDEE
It’s a girdled Hygromia cinctella.
ARK
A snail? You found a snail? Gimme that.Zebedee sadly gives up the crushed snail. Ark puts it into his mouth, chews and swallows it with delight as Zebedee watches enviously.
ARK
You know they were once–
ZEBEDEE
Extinct.The pair excitedly search the grass together.
ARK
I haven’t eaten meat since two-thousand and eighty four.They search deeper into the distance.
ARK
Of course it was the neuro-diverse who created the snail in the first place.
ZEBEDEE
Bullshit.
ARK
No, seriously. They were a test tube experiment, and this woman…
And because Kay would like a challenge back. I give her LOST PASSWORD.
And from Kathleen, I have SONIC FLASH to which I have done a 2nd one act play.
SONIC FLASH by Donna Williams
Copyright October 2008
It’s 2025 and people have changed. A suburban home. An old man, SHARKEY, holds a flower to his ear. He adjusts the stem like an aerial and beams.
SHARKEY
(calls)
Hey, Brill, I got it.His old wife, BRILL enters with a fluffy yellow towel and a look of disappointment.She thrusts the towel at him.
BRILL
It’s lost it’s purple! Feel!Sharkey runs his hand over the yellow towel.
SHARKEY
Shit. It feels sort of burgundy. How the hell did that happen?
BRILL
It won’t coordinate with the bathroom, now.
SHARKEY
Well here, this might cheer you up.He hands her the flower. She puts it to her ear and listens. A look of pleasure comes over her.
BRILL
Sounds wonderful.There’s a loud KNOCK at the door. Sharkey and Brill look at each other.
BRILL & SHARKEY
Mr. Slurry!
Daunted, they scurry behind the sofa.
MR SLURRY
Hel-lo? Dammit, you weirdos. Open the door! I know you’re in there.Mr Slurry BANGS hard on the door. There’s a sudden FLASH and KABOOM.Sharkey and Brill look at each other then very cautiously head to the door.
They open it to find Mr Slurry scorched and disoriented.MR SLURRY
There was an earth shattering KA-BOOM.
SHARKEY
A sonic-flash.
BRILL
You have to watch that explosive personality, Mr Slurry.
Marla asked for The Extraordinary Ordinary so here it is:
THE EXTRAORDINARY ORDINARY by Donna Williams
Copyright October 2008
THE EXTRAORDINARY ORDINARY BY DONNA WILLIAMS
Copyright October 2008It’s 2028. It’s dusk on a landfill site full of rubbish. Two female workers, MERNDA and FOX stop scouring the mountains of rubbish.
MERNDA
Looks like you and me, now Fox. Want a cuppa?
FOX
Is it sanitised?
MERNDA
It’s not from the troughs if that’s what you mean. It’s from home. Off the roof, and, no, before you ask, there’s not possum poo in it.
FOX
Alright.Fox takes a seat on a dilapidated sofa as Mernda pours tea into a chipped tea cup, sits next to Fox and lovingly hands her the cup.
FOX
But then I should start walking. I’ve got a 10 miler and it’s not a bright moon tonight.
MERNDA
Ah, you got nobody to be home to. Might as well enjoy the stars.
FOX
What about you, though? (gestures over her shoulder to a sack)
Won’t Arlech expect those meat scraps?Mernda looks away guiltily
MERNDA
We could make a fire, you and me, cook ‘em up.
FOX
Look at us, a couple of swells, eh?Mernda watches Fox and smiles.
FOX
What?Mernda makes a fire and lights it with a match.
FOX
Holy shit! You got matches. Real matches. Now there’s gold.Mernda fetches a lump of rotting meat and tosses it into the flames. Fox watches her expectantly.
MERNDA
Arlech left.Mernda prods at the meat.
FOX
Left! Left, how? He has no work. It was your home. He was living off–
MERNDA
–Exactly.
(beat)
Stay a while…with me.Mernda sits again, next to Fox, this time a little closer.
FOX
If you had a lantern as well as them matches, then I’d really be impressed.
MERNDA
I could walk you home in any case. The moon is bright enough tonight.
FOX
He didn’t like me, did he?Mernda looks into the fire. She touches Fox’s hand. Fox looks at her hand, then dares to look up at Mernda.
MERNDA
He didn’t like a lot of things.
FOX
Rationing? Salvage? Sharing?
MERNDA
Blacks, people with diffabilities,… gays.Fox takes her hand back and holds it herself. Mernda takes her chin and looks earnestly into her eyes.
MERNDA
It’s a tough world, Fox, and it’s only getting tougher.She lets Fox’s chin go and stares into the flames.
MERNDA
Here we are, living like Queens. It was only twenty years back, people thought all this was shit, people like us,… scroungers, that we were shit.
FOX
People like us?Mernda gets up and turns the meat.
MERNDA
None of that shit matters no more, Fox. You know, we were once so full of judgement, our human race, and this…this is all we really are… meat.Fox joins Mernda by the fire and touches her arm. She takes Mernda’s face and kisses her. Mernda is humbled, moved by the kindness and interest.
FOX
We are more than meat. Is that all he reduced you to? We are souls. Can’t you feel that?Fox takes Mernda’s hand and places it on Mernda’s own heart.
FOX
Without our souls we are just flesh, but with them, we are something more.
And from Sydney, I got the title PEACE so here’s a one act play called PEACE
PEACE BY DONNA WILLIAMS. COPYRIGHT OCTOBER 2008
It’s 2020. In the defunct main street of a village, a tall retro HIPPY sits on a cushion manning a picnic blanket covered in home grown produce and recycled wares. He scans the empty street for passersby.Directly behind him with it’s verandah shading his stall from sun, is an empty shop in a run of shops. On their boarded up vandalized windows are a series of TO LET and FOR SALE and ANY OFFER CONSIDERED signs.
A short, grim OFFICER comes down the street. The Hippy looks eagerly toward a potential sale. The Officer stops at the hippy’s blanket and examines his wares.
HIPPY
Morning. Feel free to go through the merchandise.
OFFICER
You’re trespassing.
HIPPY
On the pavement?The Officer points at the boarded up shop window behind the Hippy.
OFFICER
This is someone’s property.The Hippy slaps the ground.
HIPPY
It’s a piece of cement. It’s built on top of soil…earth…planet earth.
OFFICER
Those shops behind you are privately owned.
HIPPY
Shops! Those empty shells haven’t been used since the closures of two thousand and fifteen. The owner couldn’t even sell them for a hundred bucks each.
OFFICER
That’s why it’s my job to clear away people like you. You’re spoiling their frontage.
HIPPY
Piss off. You’re spoiling my day.The Officer handles some of the goods with disdain, tossing them back onto the blanket like rubbish.
OFFICER
Do you have a permit for this…this….stuff?
HIPPY
It’s all home grown or recycled. There’s nothing dodgy there.
OFFICER
Papers? Do you have any?
HIPPY
Pieces of dead tree? No, Mate. You might use them to wipe your butt but, personally, I respect trees too much to cut them down just to stick MY NAME on them.
OFFICER
You’re marketing without a permit, I want some I.D.
HIPPY
Identity? You want some? I can see that. You’re a rather lost man, Sir. Marketing without a permit. Permitting without a market. You’re nothing but a title in a suit, ever thought about that?
OFFICER
Pack this stuff up…now.The Hippy stands and his height towers over the Officer.
HIPPY
Or?
The Officer taps his taser.
OFFICER
I could fine you on the spot.
HIPPY
I could tickle you.The Officer clutches his taser.
OFFICER
Are you threatening me?
HIPPY
Yeah, I’m threatening to crack your face into a smile for the first time in your miserable life.
OFFICER
I’m not miserable.The Hippy mirrors the Officer’s expression. There’s a stand off. The Officer softens.
OFFICER
Do I really look like that?The Hippy smiles and nods then picks up a piece of mirror and holds it up to the Officer.
OFFICER
Oh dear. I haven’t seen myself for such a long time.
(beat)
Mirrors are such a rare commodity.
HIPPY
Ah, we’re all mirrors, Mate.The Officer smiles slightly and picks up some fresh broccoli.
OFFICER
Is this bonsai?The Hippy chuckles.
HIPPY
No…it’s, um…broccoli…you, er, you eat it.
OFFICER
Eat it? Really? May I?The Hippy shrugs. The Officer snaps a piece from the stem and pops it into his mouth, crunching it. The Hippy waits eagerly.
OFFICER
And you grow this?
HIPPY
Yeah.The Hippy offers the Officer a cushion on the ground next to him. Awkwardly, the Officer accepts the social offer and the pair sit. The Hippy offers him water from a recycled bottle.
HIPPY
Lemon water?The Officer nods.
OFFICER
Don’t mind if I do. Lemon water? How strange.The Hippy pours some into a recycled cup and hands it to the Officer.
OFFICER
Could you teach me? Like to grow trees like this?The Hippy nods and points over his shoulder to the boarded up shop behind him.
HIPPY
You see them derelict shops behind us?The Officer looks at them and nods.
HIPPY
You know they were build on cement?
OFFICER
Yeah.
HIPPY
Which is on top of soil.
OFFICER
Really? I never thought of property that way.
HIPPY
Prime, fertile soil, the kind that grows lemon trees, and brocolli.
OFFICER
Wow. You don’t see much of that these days.
HIPPY
Exactly.

Self cuddled on a seat of the tramway,
eyes shut
Like a dying bum.
No leftover of past life,
not of crashes for girls
nor of copulations
always with the wrong ones,
and then it’s you who are wrong,
But the others alike.
And there is only one thing you long for,
The little bark of a dog,
directed to you.
You cannot answer her now.
Lost Password
*Authors note: This is based on my first boyfriend whom broke up with me in an odd way, and yet I still miss him*
She stared at the photograph,
Sadness clouded up her face,
And a tear – so sweet and real,
Slid softly down her face.
Oh, dear love,I miss you so,
And wish we were together,
But we – are never, nevermore.
Happiness had filled my heart,
Though it is now shrowded in greif,
And months have gone by,
Yet still I long for you – my love.
What did we do,
I have trouble recalling,
And wh, I don’t know,
However, I know I loved you.
Memories locked in,
Like jewels in a safe,
And can’t be retrieved,
Because of the lost password
We are accustomed to think in non verbalized forms.
Our inner experiences are scarcely communicable and there is even less interest from others in our interior life.
So we really live in a different planet.
In the social desert ( even if we walk among throngs of humans) we survive in our bubbles made of delicate self produced cobwebs.
Normal people live on second hand banalities, we live on hard thought about the meaning of life,
in a certain sense in a desperate love for life.
Life in the leafs of the oak, in the wagging tail of the dog, in the flight of the sparrow, in the lichens and the fir tree.
Normal people worry about the working of their mobiles and remotes.
Non verbalized thought is life.
Verbalized thought is gossip has pretenses at sophistication sometimes, but is only nonsense.
I can’t internally mentalise much.
I think in movement and systems and feelings, not pictures, not words.
this means I do my talking mostly through my fingers
even though I got functional speech by late childhood (I began typing the same time).
I didn’t used to be a deep person until I began to gain receptive language (late childhood)
and by my teens I really felt harmed by an ability to begin to reason about my experiences
and by my 20s I was really the songwriter-poet.
I spent most of my days solitary, which suits me fine.
And as long as I’m doing and being
I don’t notice a lack of company
because as you say
everything is company.
I don’t think one must be non-verbal to be deep
for I was once functionally non-verbal and unable to be deep
but I would say that when verbal communication doesn’t come easily or manageably
one sticks to what is really substantively important.
shine on
Non verbal thought is a kind of shorthand that always precedes verbalization. The speed of preverbal thought is of the order of the light, compared to the sound speed of verbalization. When you catch a falling object (a pot of boiling water that might burn you) you do it without verbalization. Non verbal shorthand is something you don’t know how it operates and is normally a perfect perception of some realities, as the verbalization will never be.
A wonderful writer, Mary Kay Blakely sometimes quotes me from a conversation I made using a napkin and a nut.
I said, holding up the nut… here is the conscious mind… then held up the napkin… here is the napkin… the preconscious mind…. I think in the preconscious mind… this big napkin… yet to get it from my mouth I must pull this big napkin through this small nut.
What’s the relationship between “shorthand” thinking and verbalizing is very difficult to establish. Perhaps theorists of the mind might know something. Take a whole day of thinking and try describe it in words. Impossible. Thoughts are mixed, superimposed, some are tentative and sterile, some are decisive (like when in comics you see the balloon “idea!”). Sometimes you simply connect dots about the behavior and the character of a person and all of a sudden you understand the fundamental traits of that person, you obtain a synthesis and you tell yourself “how I didn’t understand him/her all this time, though I was acquainted with him/her constantly for years. Some time you realize in a second which was the right frame you should have used to understand him/her and you get the whole picture. This is not verbalized thought.
In “Good old neon” David F. Wallace explains in a vivid way the degeneration of self, or perhaps the built in structural weakness of self as it develops in talking with others. “My whole life has been a fraud”. And there is also a disturbing paradox, because how to get rid of the fraudulent condition, this mortal sickness of your soul, if your self-denunciation might be a part of the fraud? Perhaps one should accept that he be condemned to silence, as the character of “Persona” by Ingmar Bergman and the protagonists of the films of Kim il Duk, the Korean director.
The strength of the feelings might be our only salvation: not the perfunctory kisses exchanged at a funeral, or the repulsive embraces between politicians, but the passionate hugs of mothers and her children, when they discover that they are of one flesh, in the face of loss, separation reunification or of grave danger.
As for me, I have rarely experienced the happiness of a hug, certainly not with my mother. Only the representation of feelings in the movies may be a solace for me. And sometimes you find such representation without the physicality of the hugs, like in the splendid trilogy of Apu of the great Indian moviemaker Ray (“Pather Panchaly”, which I have seen dozens of times) and in the cinema of the Japanese Ozu, where they never touch each other, but there is so much force of feeling!
The most difficult task! We all live in a bubble and it takes a huge amount of effort to maintain the bubble in good order, particularly at the borders. Getting out and reentering are the most difficult exercises. To survive we must know where the walls are, where the openings are, how they may be opened, when they can be opened, how long we can stay inside (outside we may stay for a very short time). Like the whales we have to surface once in a while to capture some air. That might be a metaphor for our form of sociality. Our nutrients are inside the bubble, but once in a while we need to make a sortie in order to catch some social air (words? a smile?), legitimacy, some crumbs of social nutrients fallen down from some other’s people table. We can only do this in haste, half-heartedly, with fear, because we cannot live outside, we risk constantly annihilation, like mice in the night, while cats are sleeping.
so well put.
I spend probably 80% of my life alone
it allows me to cope with the 20% without running and to cope with some focus.
I feel ‘fried’ by society
but I do a great job of climbing mountains
I’ve no regrets.
I’m glad I ventured beyond the bubble
pushed it’s limits
tested fear
found where fear was an illusion
of course it still only half listens to me
Seroquel helps it shout more quietly.
I have pretended to teach for some years in Venice. Why pretended? Because my lectures were horrible exhausting pastiches delivered to 7-10 students. At my the first lesson there were more than a hundred and I was so stressed that going away I nearly pliunged in a canal . But the lessons lasted only 45 minutes, three a week. The rest of the time was spent in wandering in the city. Both arriving with the motor boat from the station and leaving , looking back at the marvel city disappearing were magic moments. And also having my meal at a small trattoria for students, and after that eating an orange on the little wall bordering a canal, drinking a coffee and sleeping a few minutes lying on the not very comfortable desk of my office (I had an office all for me for the first time in my life!). My expenditure in relationships were kept at a minimum. I was practically alone all the time. Then I was “promoted” to a bigger city (Milan) where I had to deal with great numbers of people, and I nearly went mad (well, behind my back someone said I was mad, though a “sweet” one). No bubble at all. I might say that in this period I didn’t exist, Sometimes you lose any control of your borders and at that point you cease to be a living being you are completely ruled by external forces.
Little pleasures have always been my moments of bliss, like eating a sandwich on a public bench and taking a nap on that same bench, like a clochard. But after all I have always been a clochard. And we, of our kind, are only apt to be clochards, or so I think.
And concerning clochards, can they be generous? I am not a giver. Not in terms of money. I never cared for money. But in terms of availability to help others. And after all, would you ask a clochard or a beggar where is the best restaurant in the vicinity? He probably knows, but would you ask him?.
The Queen, heads of state, government leaders and other dignitaries, war veterans, representatives of the armed forces and other service units, relatives and friends of the fallen gather at their country’s cenotaph or other memorial to pay tribute to those who made the ultimate sacrifice so that others might live in peace (from an English paper).
Yesterday was an anniversary. The anniversary of the end of WW1. As Karl Kraus put it in his “The end of humankind” (1918) it was really the end. You may understand more the savageries of Stanley in Congo. In that place of Africa you might look at people of different culture as “aliens”. These atrocities happened faraway, Europeans didn’t know what happened except Joseph Conrad who was on one those boats navigating the river and yelled “the horror, the horror!” in his “Heart of Darkness”. But WW1? It was visible to everybody, it was between people who ate in the same way, spoke sometimes the same languages, were on both sides Christians, with military chaplains on both sides witnessing the slaughters and blessing them too, “assisting” (sic) those soldiers who were shot by firing squads for being terrorized or for refusing to participate to the carnage. Has there been any atonement for what happened? Great talk of “heroes”, monuments to the generals who commanded the business in every city of Europe, statues to mustached soldiers in heavy coats embracing a gun, while “deserters” are still denied a grave with their name.
In the schools there should not be obligatory reading of the heroic fights. Only two book to learn history: Karl Kraus’ “The end of Humankind” and Conrad’s “Heart of Darkness”: the horror the horror!
I am 75, in a sense a veteran of WW2, I was child, scared by bombs,
grenades and automatic fire (I crossed the Gothic line walking in the
woods with my family. When I started again to go to school, I found
myself I had to study history. The program ended with WW1 there was no
time to make an appraisal of the origins and developments of WW2. And
there was also a well founded self imposed censorship about a war who
had been lost by my country, and concluded in shame with soldiers who
tried vainly to fight the Germans without orders, the “king” having
fled to the south, and the general staff having dissolved. The 8 of
September of 1943 (Armistice day with the allies) was my country’s “day
of infamy”, the harakiry of an undignified cowardly political élite
(?). When the general Alexander went to pay visit to the “king” (in Bari) and
asked what he might do for him, the “king” answered “bring me some fresh eggs
for the queen”.
When I was in school again, in 1945, the textbooks of history were still
treating the glorious battles of WW1, the “victory” of November 4, the
“redemption” of pieces of Italy which were very well administered by
the Austrian Monarchy. The textbooks were all seething patriotism,
heroism, martyrs. In Rome there is still this huge kitsch monument to
the “unknown soldier”.
And WW1 was decided by a clique of three or four persons (Salandra,
Sonnino, the queen mother).
Millions of Italian citizens, poor farmers of the South were dragged
into the battlefields by the military police (Carabinieri). 600,000
died and millions were maimed.
The only thing we can say now: no patriotic rhetoric aanymore! but only
atonement. Soldier shot by firing squads for “cowardly in battle” are
still without graves.
Our inner experiences are not communicable and aother people have no interest in our interior life. Our interior life doesn’t contribute to the production of cell phones. So we really live in a different planet.
In the social desert ( even if we walk among throngs of humans) we survive in our bubbles made of delicate self produced cobwebs, constantly damaged by the usual unavoidably traffic with the external world.
Normal people live on second hand platitudes, we are forced to live on hard thought about the meaning of life, about suffering and joy and all forms of whys.
In a sense we live in a desperate longing for life which has nothing to do with highways. airports, videogames, stock exchanges or nukes.
Life is in the leafs of the oak, in the wagging tail of the dog, in the flight of the sparrow, in the lichens and the fir tree.
In the other planet (of people integrated in the machine) people worry about the working of their cars, their mobiles, their remotes and gadgetries of all sorts.
Non verbalized thought is life for us.
Verbalized thought is made of instructions to build and run the machines. If it’s not that, it is gossip, chatting about nonsense, even if it has pretenses at sophistication, is useless garbage, hot air.
This might be the simplest way to describe the situation of the autistic person. He/she is on a raft in a sea in tempest, trying to save his/her life. This is the primordial commandment for living beings: to save your body (but is it really yours? or does it belong to Life).This commandment is wired in your mind, and has a priority over any other commandment.
Can this subject feel empathy for others? Not now! He must look to the next wave, and see how he/she can remain afloat. That’all for now. But this “now” may last all his life.
I have a painting on my website called Next.
it probably captures this feeling.