Polly's pages (aka 'Donna Williams')

Ever the arty Autie

Angry young men on the spectrum: interview with Aspie youth

June11

Eggy Face by Donna Williams www.donnawilliams.net Tom has an interest in killers and the macabre, a fascination with famous people and a calling toward music and digital art. He’s also a young man with Asperger’s and a fascinating one at that. Here’s our interview…

Interview with Tom

DONNA WILLIAMS:

You list one of your special interests as being an interest in the macabre, in particular an interest in murderers with an ASD diagnosis.
I have to say that’s a bit alarming for many people.
Where does this interest come from?
TOM:
I am not sure where it comes from, exactly. I can’t offer anything too deep on it; such as that I always felt like an outcast, and I became interested in outcasts or the weird from the mild to the major. Although I was definitely an outsider for the most part; throughout my elementary school years I had at most 5 friends. When I started high school, I was bullied a lot, and it caused me to have great alienation with people in general, and decided to be very self indulgent and selfish and cut them out of my life abruptly.

There was a period of time starting from the first memories I can remember clearly (starting around age four, ending around age 10) where I viewed life as something that was not real, all the things around me were “constructs” (I didn’t think of it using that word at the time, but it fits what I though back then) created by me, but not controlled by me. Going from what I’ve read, such ideas are common with children. I also thought that I could control my emotions by will – I don’t think that was ever true, but it was an idea held firmly inside my mind. I also felt that most of the time I was not in control of my body – that it was guided by a “real me” with which I would suggest things to. I didn’t recall anything like that about children, but there’s a lot of things which interest me that I haven’t had time to investigate on.
DONNA WILLIAMS:
What are you hoping to learn from gathering info on these people?
TOM:
To understand the mental pathology of those who commit acts such as serial killings. A lot of times, they were abused in some way as youth, but not always. To know how and why they think the way they do intrigues me.
DONNA WILLIAMS:
You have an interest in Temple Grandin. Many Aspies relate to her visual thinking but a significant percentage of people on the autism spectrum (me included) have come out saying they don’t think in pictures at all and have balked at her idea that she can presume her style of thinking is reflective of all on the spectrum.
What’s your position?
TOM:
I don’t think in pictures. It’s hard to explain how I think, it’s been a while since I’ve been reading about the terms behind the subject. I learn by someone showing me how to do things, and I just recall it. Same thing with my thinking – I recall whatever I need to know and apply it.
DONNA WILLIAMS:

You’re a drummer with a co-ordination difficulty. That’s pretty funky. I’ve heard your drumming. It sounds good. How hard was it to get your body, hands, ears and brain all keeping up with each other or is it that they don’t and you drum regardless?
TOM:

Well, what I sent you was created via MIDI programming. So while it is my composition, the sounds being played were not recorded or played by me. Think of a keyboard where if when you pressed a key, instead of playing a piano note, it played the sound of a snare being hit. No, I can’t get even close to playing drums physically as well as I can compose. I do enjoy the sounds despite that, and when I go to record, I’ll probably do a bit of both.
DONNA WILLIAMS:

I’ve seen your digital art, which I find pretty interesting. But you seem to be among those who struggles to fully accept digital art as equal to hand done art works. Why? Isn’t it in the eye of the beholder? Or do you have a different view?
TOM:

I have no problem with digital art. It’s my main medium. My problem is with certain people, and their views. Those who seem to think that digital art means it resembles something out of the original Mario Bros. games or that there isn’t a genuine process in creating it. It takes time to do the work – there isn’t as big a mess left over as hand painting something, but there is work in it. It’s the same thing that comes up with electronic music – it’s considered by some “lazy” or “easy” art. The ignorance annoys and frustrates me.
DONNA WILLIAMS:

You mentioned being an Aspie with brain damage which had occured prenatally. Which things do you attribute to your Asperger’s and which things to brain damage?
TOM:

The AS is most definitely genetic, at least in part. Not caused by the brain damage. I have an uncle who is stereotypical AS (more severe than me, but independent), and another relative – I think grand uncle – who is said to be “like me” (I feel kind of shy talking aloud about the subject aloud, so I word things like that). Also, my father’s education and jobs were primarily in the sciences – people who work in the sciences tend to have a higher rate of children with autism.

Since motor skills problems is on the co-morbidity list for ASD, it’s hard for me to say either way which caused them.

DONNA WILLIAMS:

The term ‘brain damage’ has pretty negative associations for a lot of people. They associate it with being broken goods, intellectually disabled etc. I look at brain damage as a reason to be very proud of the things that I can do and I feel that challenges drive me to find ways around them, sort of like how a tree will grow itself around a barbed wire fence, regardless. How do you see the interplay between things like Aspergers, brain damage, self esteem and what is the self?

TOM:

Both of them together (I am speculating here regarding the brain damage, see above, but I am sure it plays some part) make it so everything feels and seems awkward. It sort of hampers my ability to “just jump in” socially. My hand and body shake most of the time, which gives off an air of nervousness. I stutter sometimes, and it’s frustrating because I can never tell when it’s going to start and stop.

I feel detached most of the time. Sometimes I feel embarrassed to take pride in any the things I do such as my art, or think of it positively, because to do so would mean that I had an undeserved sense of ego. The primary thing that drives me in life is to help people – I don’t mean this like I’m some sort of selfless humanitarian, but I get a lot of satisfaction in helping others.
DONNA WILLIAMS:

Many people with Asperger’s see their condition as integral to their selfhood, they’ve known no different. Much of what’s diagnosed Asperger’s may well be about inherited personality traits, brain organisation and learning styles.

As a person with autism, my world’s a bit different. I have gut, immune and metabolic disorders as part of my autism as well as mood, anxiety and compulsive disorders which are at least aggravated by these. I can’t identify those with my selfhood any more than I would identify my selfhood with diabetes.

I identify self with my personality, my thinking style (which are probably both fairly autistic) but not the whole of my autism. I’ve had treatment for my health, mood, anxiety and compulsive issues and therapies which have reduced sensory perceptual and language processing challenges. As a result my autism is not as full on but I still feel I’m me.
I don’t feel any less me, in fact I feel freer to see the me now its not as dominated by the management of the condition.

Do you feel, as Temple Grandin does, that if you didn’t have Asperger’s you wouldn’t be you? Does having Asperger’s make all people drummers, composers, into Stephen King, magic or the macabre? Or is that just part of being YOU, that Asperger’s is the formatting but not the content, so to speak?
TOM:

I would say that if I didn’t have AS, I wouldn’t be me, on multiple levels. On a basic level, knowing that I had been diagnosed as having a disorder influenced my actions in the past and to some extent now. I might have behaved differently, things might have gone a different way if I hadn’t known, explicitly. Those past actions and the memories influence how I think and act today.

And on a deeper level, my personality certainly seems to be indicative of autism. I don’t like belonging to groups. One reason would be that if I affiliate myself with a group, I bring aboard the baggage others have with the term, which a lot of times is negative. I sometimes wish that I could live in utter isolation – like live out in the mountains and woods where there would be little disturbance.

ASD doesn’t make you into a certain something, as the outgoing AS people show, but the “outsider” factor certainly comes into play. Since we aren’t necessarily in tune with kids our age, we sometimes gravitate towards the “other”, Perhaps that will lessen as early intervention occurs more and more. Some would be unhappy about that.

DONNA WILLIAMS:

You originally contacted me because I was on a list of prominent people with autism. I see all people as equal. I don’t see myself as any more exceptional than the stranger I pass at a bus stop tomorrow who I’ve not yet met. What does that ‘prominence’ mean in your world? What do you think ‘fame’ feels like when you’re in those shoes?

TOM:

Prominence means that if asked, people would have some degree of familarity about what they were asked about. This can apply generally, to those a large portion of the public would recognize, down to small (in popularity) genres such as industrial music. Within industrial music, Throbbing Gristle would be very prominent, as they in part were originators of it.

There are prominent people within the autism community. The people who first recognized it, for example. Hans Asperger and Leo Kanner being the primary ones. Autistic individuals who became famous through writing firsthand account books or talking about it at seminars, or were the subject of documentaries. That would include you. Given that prominence can influence people a great deal, an autistic who has achieved prominence might have an enhanced or different perspective than one without prominence.
DONNA WILLIAMS:

Thanks for the interview Tom. I think your answers were wonderful, human, insightful, honest. All the best to you.

Warmly,

Donna Williams

http://www.donnawilliams.net

http://www.auties.org